In an industry that asks deaf people to speak up or be overlooked, Deafinitely Theatre creates a space where accessibility…
From William Shakespeare’s plays to more modern shows like “Dear England,” including pantomimes, Alison Clarke has been living her passion for audio description for over 15 years.
Two years on from Stephen Sondheim’s passing, Lea Salonga tells Artefact about headlining the West End’s first major tribute revue for the composer.
How Lulla La Polaca is living proof that age is not an obstacle to living life at its best.
Theatre's back, but digital access is in danger
7 Mins read
Theatres moving online was a lockdown revolution, but as they reopen on site, are marginalised audiences now being left behind?
Taking the pretence out of Pride and Prejudice
8 Mins read
Artefact speaks to Isobel McArthur, writer, director and star of Pride and Prejudice* (*sort of), an irreverent new Austen adaptation now playing in the West End.
Yes, Generation Z is writing a play on TikTok
4 Mins read
The musical emerged from musical fans being creative on TikTok and Artefact was watching unfold it from the beginning.
We find out about a new safe space for women in the creative arts industry; free from sexism or derogatory remarks.
Theatre | Too Much Light Makes The Baby Go Blind
4 Mins read
A brave, experimental play performed by the neo-futurist team, bringing their US success to the UK for a sold-out London debut.
Ernesto Tomasini: The face behind the masque
6 Mins read
Artefact gets under the make-up of one of Italy’s A-list – an eclectic performer, author, and singer.