OpinionReviews

Film | Taken 3

1 Mins read

Taken_3_movie_poster

This action-packed and fast-paced, but ultimately lacklustre film series represents everything wrong with Hollywood.

For those unfamiliar with the Taken franchise, Liam Neeson plays retired CIA agent Bryan Mills forced to rescue his family.

In Taken his daughter is kidnapped, in Taken 2 his wife is kidnapped and in Taken 3 things take a turn for the worse.

Considering what Mills has gone through, it’s hard not to feel a little sympathetic, but after watching Taken 3 I find myself asking “Really? Not again.”

Taken 3 ticks all the boxes for a blockbuster hit: police car chases, unnecessary explosions and even foreign villains, but Taken 3 lacks any real substance.

The film opens with haunting opera music and shots of the city building suspense.

After receiving an urgent text from ex-wife Lenore (Famke Janssen), Mills makes his way to her house to find her dead.

Out of nowhere two police officers burst through the door, guns in hands, attempting to arrest Bryan.

The rest of the movie is a massive manhunt led by the relentless, determined and slightly annoying Inspector Franck Dotzler played by Forest Whitaker.

The problem with Taken 3 is that we’ve seen it all before. The acting is over the top, particularly from Maggie Grace who plays his daughter, and Neeson’s performance is in his usual deadpan style.

But the negative qualities of Taken 3 are lessened in the cinema, where police chases and the overuse of suspense can be intensified. Taken 3 is perfect for the captivating cinematic environment.

For those wanting a quick thrill Taken 3 may be for you, but for those looking for something original and thought-provoking stay far away.

Related posts
Reviews

From science to fantasy, Bride is a refreshing turn for author Ali Hazelwood

4 Mins read
Known for the contemporary romcoms set in academia, her new book brings a surprising love story between supernatural beings
Reviews

Barbara Kruger’s exhibition tries to appeal to the 21st century and fails

4 Mins read
The Thinking of You. I Mean Me. I Mean You exhibition at Serpentine South was her first solo show in the UK in 20 years.
Reviews

Artist Titus Kaphar reflects on forgotten moments in history

2 Mins read
The painting Seeing Through Time, on show at The Time is Always Now at The National Portrait Gallery, creates an important conversation between the past and present.